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Songs From A Midnight Room

by Erica Bramham

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    Beautifully packaged double album with liner notes and lyrics.

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1.
every night, the thread of a song slips out from under your door while I am slipping, sleepy it tucks me inand I am the strings beneath your fingers wound and taught the cause of your calluses.
2.
come stand before me your shape like coloured glass the light that moves through you a geometric dance that forms, and breaks apart into a million feelings that have no names and a thousand languages no tongues can ever tame they shift around our bodies come stand before me your shape like coloured glass the world I see through you is a perfect changing thing.
3.
“Pick a feathery head of dandelion, charge the little feathers with a tender thought, turn to the spot where the loved one dwells, and blow, and the seed ball will carry the message faithfully.” - Encyclopaedia of Superstitions, Folklore and the Occult Sciences of the World my breath sends the feathers across the grey and blocked up city where they find you in all the corners of your day and tell you
4.
“For the Mayans, hummingbirds were the sun in disguise, constantly attempting to seduce the moon.” - Birds: Myth Lore and Legend she slips into bed waits until the sky is dark then she slips out again covers her moon-pale skin with feathers bright like christmas foil up she darts on beating wings silver green against the stars flashes her lovely slenderness across his crescent smile but he is not moved he is not moved he is not moved, so she darts away she slips into bed as the sun begins to rise then she slips out again lets the feathers fall away and up she rises too.
5.
lace drips off the table a fly hovers and hums around the fluorescent light above our heads and the coffee goes down like mud you stare into its surface tell it you don’t love it anymore while I stare into your mouthas it opens and closes and the fly circles closer and closer and the coffee goes down like mud and then on the “o”of sorry the fly jumps insidethe cave between your lips and you shut it in, now silent and I wonder what it tastes like, a fly covered in the grease and dust of this café and the coffee goes down like mud.
6.
you spoon me into your coffee and I dissolve your elbow on the wonky table and I am spilled all over the cloth checking off each embroidered flower as I spread there is no run to save the varnish no race to mop me up there is no run to save the varnish and so I dry, into the stitches.
7.
the slick road glows red and orange while their days are starting ours is only ending they, a march of black and navy ants from the station we, two sleepy bodies  on the first train home.
8.
“To sleep under a fig tree, was in ancient times believed to secure slumber and quiet.” - Encyclopaedia of Superstitions, Folklore and the Occult Sciences of the World. the night doesn’t move but you are restless and you say your head is much too loud and the clock still beats beside me while the light of our lounge room hums so I follow half dressed and sleepy and I slip between your arms and I paint the shape of a fig tree with the shadows on the wall so you can fall into slumber now I am still, silent curled in your lap while your breath it slows.
9.
what funny things bones are buried beneath layers of tissue and fat a perfect scaffolding for the form that moves so fluidly around the kitchen washing dishes in the apron I made I laugh, and you ask my why and I tell you I was picturing a skeleton in pink dish gloves.
10.
2-2 Popcorn 05:14
you take your time starting with my skin peeling back the surface to reveal a network of fine roads that carry you toward my chest I can feel you when I breathe and when you find my heart the sound is like the crackling of a pan of popcorn.
11.
the glass leaves a white ring on the dresser and the harder you stare at it the bigger it grows until you can dive straight down like a circus clown and the surface of the timber shivers and breaks and suddenly you are swimming through  the darkness of the drawer bumping off old pairs of glasses while lonesome gloves wave their seaweedy fingers and the stack of old letters you forgot you had not thrown away.
12.
she glows in butter yellow it’s a colour you’ve never seen her wear before the room turns as she enters and your heart slides toward the floor and she sinks into the chatter that crescendos round the table chairs shuffle as old friends make space she glows in butter yellow and her hair has grown down toward her waist you can’t even remember how short it was the night things fell apart and the conversation swings side to side like a tennis match and she is the ball tossed from one flirtation to the next she glows in butter yellow and you watch her as she circles round the room and when she leaves you let her go without a word.
13.
Inspired by Vincent Van Gogh’s painting of the same name. in the darkened part of the city we sink into a doorway pressed against the evening chill your lips on mineare a warm pool of caramel that trickles down into my shoes and warms my feet numb from finding the longest way home from the terrace café where we sat in the golden light that spilled out onto the street while we poured our histories over the edges of the table among the fizzing conversation that skipped over cobblestones and followed us as we left the café for the darkened part of the city.
14.
2-6 X-Ray 01:21
ghostly white on black each milky vertebrae a block stacked that I can climb with my fingers to the curved part of your neck that shivers with the soft brush of my breath.
15.
you, you are sweet strong heady a flush on my cheeks a lovely fog that settles on my thoughts a moment that is fleeting like the firey flash of autumn or the brush of a hand in a darkened cinema and you, you are sweet strong heady a drive through the hills a bright clear day a breeze on my neck a memory that lingers like the crackling leafy carpet or the static left behind in the hairs on my arms.
16.
our feet follow the autumn scuffle of leaves in the gutter around a corner the road opens out on a steely sky a train bridge crosses and cuts the vista grey above and glossy black below our feet follow the autumn scuffle of leaves in the gutter past a café full despite the weather bundles of coats and grocery shopping bags surround caffeine filled bodies our feet follow the autumn scuffle of leaves in the gutter they head toward the beach we whirl with them along the waterfront where ice cream is solid in the brisk air does not melt our feet follow the autumn scuffle of leaves in the gutter.
17.
I continued writing and recording for the project even when I was away from home. This song was written while camping in the beautiful, tiny Victorian town of Marlo. love, if you’ll let me I can pull a song from a crack in the clouds and let it spread dark and low I’ll fill it until it bursts and I’ll collect the notes like hailstones in the palms of my hands read your heart in the shapes they make as they melt onto the ground and if I find it brittle like ice and singing like glass I’ll take my skin and wrap you in.

about

Songs From A Midnight Room (double album)

On January 9 2017 I took on the challenge of writing, recording and sharing a song a day. I called it The Song-Chain Project, and for 203 days I immersed myself in the project, producing 180 songs, soundscapes, free improvisations, musical poems, nonsense, noise and other pieces of musical art.

This album is a small selection of the music I wrote for the project, and with so much to choose from I decided on love, in all its guises, as a guiding theme. The songs are the result of compositional games I played with myself, and pages and pages of free writing exercises. The lyrics reflect the life I continued to lead for the seven months I worked on the project, and for extra inspiration I turned to an etymological dictionary and various folklore encyclopaedias. I have included the stories behind some of the songs in these liner notes.

The songs were all originally written for solo performance, and I am incredibly lucky to have Adam Spiegl and Justin Olsson as collaborators on this album, bringing new life to the music. The first, raw performance of each song, plus the other 163 pieces of music I wrote as part of The Song-Chain Project can be found at ericabramham.com.

- Erica Bramham, April 2018

credits

released May 6, 2018

Erica Bramham - voice, guitar, mandolin
Adam Spiegl - guitar, bass
Justin Olsson - drums
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all tracks composed and produced by Erica Bramham
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recorded and mixed by Callum Barter at Newmarket Studios
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mastered by Isaac Barter
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photography and artwork by Erica Bramham

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Erica Bramham Melbourne, Australia

Genre-slippery songs, soundscapes and improvisations.

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