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Enamel

by Erica Bramham

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1.
PELICANS We lie like molluscs filtering the days through cups of tea made by me and coffee made by you two pelicans tangled in a fishing line or the skeletons of tiny crabs abandoned by the tide. -- ENAMEL Roll me in sand bake me under the sun my skin enamelled glass bitten by the wind bare beneath the heavy wool. Rounding the dune the ocean opens up the soapy surf pulls at the lines of my limbs my skin enamelled glass strong against the waves bare beneath the heavy wool. Pull on a thread let the ocean swallow the stitches one by one my skin enamelled glass.
2.
Ghost Hike 04:17
My boots make no sound weightless but I move the air around my body stirring up leaves and dust a gentle whirlwind clears the eucalyptus canopy and here above the greeny-grey: the movement of the stars across the charcoal sky mapped in my retinas like overnight calligraphy or a story book that opens just for me and I am ten years old again just you and I my pack strapped on top of yours. Dripping limbs shed their skins and the ferns that from above looked like green trampolines are taller than you now I am on your shoulders too like when I was small riding round and round the house. My boots make no sound weightless.
3.
Alas, my love you do me wrong to cast me off discourteously and I have loved you so long delighting in your company. Greensleeves was all my joy Greensleeves was my delight Greensleeves was my heart of gold and who but my lady Greensleeves. I have been ready at your hand to grant whatever you would crave and I have waged both life and land your love and good will for to have. I bought thee petticoats of the best the cloth so fine as might be I gave the jewels for thy chest which cost my purse well favouredly. Thy girdle of gold so red with pears bedecked sumptuously the like no other lasses had and yet thou wouldst not love me. Thy crimson stockings all of silk with gold all wrought above the knee thy pumps as white as was the milk and yet thou wouldst not love me. Thy gown was of the grossie green with sleeves of sateen hanging by which made thee be our harvest queen and yet thou wouldst not love me. My men were clothed all in green and they did ever wait on thee all this was gallant to be seen and yet thou wouldst not love me. They set thee up, they took thee down they served thee with humility thy foot might not once touch the ground and yet thou wouldst not love me. You could desire no earthly thing but still you had it readily your music still to play and sing and yet you would not love me.
4.
Bubbles on the surface ping and burst I enquire of them like flower petals chasing them around the sink with pink rubber fingers knives and forks they watch them burst and ping and whisper should you, or shouldn't you? Should I, or shouldn't I put all my guitars to sleep no lullaby or should I wrap the cobwebs round my finger like fairy floss shake the spiders from the belly of my bass should I, shouldn't I? A strike a spark, the smell of gas and I burn softly 'til you take me in your arms dance me round the kitchen oil on the stove I burst and ping.
5.
Zmrzlina 02:39
6.
Birds 05:16
Birds. This morning the starlings arrived a search and rescue team they fan out from fence to fence. when I last wrote they were still in their nests your reply surprised me I can't stop thinking about it cant stop thinking about birds. Combing the freshly shorn lawn for treats count them iridescent in the sun one two three four five six seven eight nine ten eleven twelve thirteen fourteen fifteen sixteen seventeen women who have asked me when, and why not? and told me it's the best thing I would ever do. Birds. Lately I've been watching the blackbirds hoppity-hop and skip over dandelion puffs and I'm trying to eat breakfast to bookend my day. most of the time I feel like there's no space in this body for anybody else it's strange to hear that there is space inside of yours how do you know that there is space inside of yours? because all the space in mine feels like it's filled up with nothing but birds. Yesterday I saw a crow steal an egg from someone else's nest he cracked it open on the pavement while I was washing dishes. It's true what you said that I have songs to take care of instead songs to leave behind and maybe, maybe that's enough for me why can't that be enough for everybody else? Birds.
7.
The sun creeps under the curtains a bright line across the pillow that scans over skin and brightens the red-black glow behind my eyelids much too early for the power tools and lawn mower growls the birds are free to sing across the trees porridge morning. Slowly, slowly we stir from our warm cave of arms our breath makes icy shapes across the kitchen a tango in and out of cupboards a waltz to the fridge the birds are free to sing across the trees porridge morning.

about

This album started life as a small collection of songs written during Melbourne's long Covid-19 lockdown in 2020. Confined to a 5km radius from home, with an ice cream van endlessly circling the streets of my suburb, my days were soundtracked by Greensleeves, the dishwasher and the constant low hum of lawn mowers as neighbours took to their gardens.

In an attempt to stay creative during a year that felt empty of inspiration I hosted weekly Zoom creative writing sessions for my friends and music students, and was surprised by the clarity and poetry in the throwaway exercises I filled my notebook with. I mined these paragraphs for lyrical ideas and expanded my small collection of songs into something bigger than I ever expected to produce in such a challenging year.

Some of the songs feature a very broken piano, found abandoned a few streets from my home. I recorded it on the nature strip, and wish I had taken a photo before it was finally carted away after several months of Autumn rain had rendered it utterly useless. Other field recordings made during lockdown appear throughout, and my kitchen provided a nice array of percussive options.

The addition of Greensleeves was a tribute to the ever-present ice cream van, but the traditional lyrics seemed to become a metaphor for my troubled relationship with my music career, in a year when the cracks in the industry have been well and truly exposed.

This music is not about Covid, or about lockdown, but is nevertheless a product of both. The uncertainty and isolation of the last year forced me inside my own head, and the songs are some of the most personal I have written.

Thank you Adam, Bianca, Nicola, Jenni, Jack, Petra, Anita & Isaac.

For Jirka.

credits

released April 30, 2021

Erica Bramham - voice, double bass, guitar, mandolin, broken piano, percussion, samples
Isaac Barter - cymbals (track 7), mixing & mastering

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Erica Bramham Melbourne, Australia

Genre-slippery songs, soundscapes and improvisations.

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